Even just learning the names of Laure and Victorine has changed the way we look at Olympia – an artwork that was very familiar has somehow become even more intimate. Understanding these hidden stories helps us gain a richer understanding of both art and life. Oath of the Horatti is an oil painting produced in 1784 by French painter Jacques Louis David. The work can be viewed now at Muse d'Orsay, Paris. They can offer a new perspective, not only on art, but history as well. Olympia by Edouard Manet was produced in 17th Century and is considered to be one of the famous artworks of Realism movement. In 1863 - the same year he painted Olympia - Manet submitted his painting Dejeuner sur lherbe, or Luncheon on the Grass, to the Salon. Researchers such as Murrell and Akinkugbe are helping us to unravel the stories behind some of the world’s most familiar artworks. I give her center stage and a lightness of being that I’m not sure she had at the time.” ![]() ![]() “During the time when Manet was painting Olympia, I imagined, Laure must have walked to Manet’s studio, so that’s why you see her in the street with an umbrella and the beautiful gates of the Parc Monceau behind her. Laure has since been reimagined by contemporary French painter Elizabeth Colomba in Laure (Portrait of a Negresse), 2018. At first glance, particularly in a modern-day context, it may seem as though ‘Olympia’ is a typical portrait painting of a nude model in a fairly typical realism style. Edouard Manet’s ‘Olympia’ is an oil painting created in 1863 and first displayed in 1865 in the renowned Salon in Paris. The portrait, originally titled La Négresse, has since been renamed Portrait of Laure. It was originally thought to be a preparatory study for the servant in Olympia but Murrell argues that “the specific formal qualities of the painting suggest that he is rendering her as an individual…”, and that the portrait may be just that – a portrait. This essay has been submitted by a student. Laure appears in three paintings by Manet as the servant in Olympia of course, as a nanny in Children in the Tulieres Gardens(1861-62), and in a portrait painted in the same year as Olympia (1863).
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